New Giant, 2022, acrylic, Dura Lar on cradled Panel, 48x48x2 inches
Exhibitions
2024-2025, Beyond the Object: Women Working in Abstraction, Cedar Rapids Museum of Art, Cedar Rapids, IA curator Julia Jessen, November 16, 2024 – October 26, 2025
2024, Unmoored, Gilded Pear Gallery, Cedar Rapids, IA, November 10, 2024-February 8, 2024
2024 Depth: Layers in Translation, Taylor Art Gallery - Principal Financial, Des Moines, IA, curator Lauren Tucci, November 1, 2024 - February 27, 2025
2024 2024 Center for Contemporary Arts National (CCAN) Exhibition, Center for Contemporary Arts, Abilene, TX, juror Adela Andea, October 4-November 16, 2024
2024 Volume 7: Memory of the existing and the imaginary, Contemporary Art Chronicle
2024 Stronger Together, Women UNITED ART MOVEMENT, August 1, 2024-August 31, 2024
2024 Unmoored, Gilded Pear Gallery Cedar Rapids, IA, November 11, 2024-February 8th, 2025
2024 TRAHC's 36th Annual Juried Exhibition, Texarkana Regional Arts & Humanities Council, Texarkana, TX, juror Trina Harlow, Director of Undergraduate Studies in Art Education at the University of North Texas College of Visual Art and Design
2024 Converge!, Bridgette Mayer Gallery, Philadelphia, PA, curator Dr. Brittany Webb, the Evelyn and Will Kaplan Curator of Twentieth Century Art and the John Rhoden Collection at Pennsylvania Academy of Fine Arts
2024 Pots and Prints, Nancy Fyfe Cardozier Gallery, The University of Texas Permian Basin, Odessa, TX, juror Alex Gregory, Curator of Art for the Amarillo Museum of Art (AMoA)
2024 Strictly Abstract, O’Hanlon Center, Mill Valley, CA, curator Anthony Meier
2024 Grinding, Kinhart Gallery, Cedar Rapids, IA, March 16, 2024- May 16, 2024
2024 BOLD, Gilded Pear Gallery, Cedar Rapids, IA, January 23, 2024 - February 10, 2024
2024, Unmoored, Gilded Pear Gallery, Cedar Rapids, IA, November 10, 2024-February 8, 2024
2024 Depth: Layers in Translation, Taylor Art Gallery - Principal Financial, Des Moines, IA, curator Lauren Tucci, November 1, 2024 - February 27, 2025
2024 2024 Center for Contemporary Arts National (CCAN) Exhibition, Center for Contemporary Arts, Abilene, TX, juror Adela Andea, October 4-November 16, 2024
2024 Volume 7: Memory of the existing and the imaginary, Contemporary Art Chronicle
2024 Stronger Together, Women UNITED ART MOVEMENT, August 1, 2024-August 31, 2024
2024 Unmoored, Gilded Pear Gallery Cedar Rapids, IA, November 11, 2024-February 8th, 2025
2024 TRAHC's 36th Annual Juried Exhibition, Texarkana Regional Arts & Humanities Council, Texarkana, TX, juror Trina Harlow, Director of Undergraduate Studies in Art Education at the University of North Texas College of Visual Art and Design
2024 Converge!, Bridgette Mayer Gallery, Philadelphia, PA, curator Dr. Brittany Webb, the Evelyn and Will Kaplan Curator of Twentieth Century Art and the John Rhoden Collection at Pennsylvania Academy of Fine Arts
2024 Pots and Prints, Nancy Fyfe Cardozier Gallery, The University of Texas Permian Basin, Odessa, TX, juror Alex Gregory, Curator of Art for the Amarillo Museum of Art (AMoA)
2024 Strictly Abstract, O’Hanlon Center, Mill Valley, CA, curator Anthony Meier
2024 Grinding, Kinhart Gallery, Cedar Rapids, IA, March 16, 2024- May 16, 2024
2024 BOLD, Gilded Pear Gallery, Cedar Rapids, IA, January 23, 2024 - February 10, 2024
Statement
Rooted in a family history rich with textile artistry, my Shibori pieces are an homage to the enduring love for fabric passed down from my mother, a skilled maker, and my grandmother, a textile designer. Introduced to the Shibori technique during my college years, I was captivated by its organic spontaneity, which now forms the essence of my artistic expression.
As an abstract artist, I immerse myself in a world where colors collide to create patterns and emotions. Through my dual practice of painting and sculpture, I explore the interplay between form and texture, inviting viewers into a realm where the ordinary transforms into the extraordinary.
In my paintings, slick, transparent polyester film and acrylic paint are my materials of choice. Working on an uneven surface, I allow the paint to slide and converge, yielding bold, swirling hues that traverse the spectrum of emotion. Through color, I create narratives that transcend conventional storytelling.
Similarly, my ceramic sculptures emerge from a dialogue with the clay itself, each piece evolving organically. Drawing upon my background as a painter, I layer vibrant pigments onto the clay, transforming each sculpture into a three-dimensional canvas brimming with energy and playful abandon.
My artistic process mirrors the spontaneity of human experience, capturing the essence of fleeting moments and ephemeral emotions. Through my work, I seek to challenge perceptions and redefine reality, inviting viewers to embrace the absurdity and exuberance of existence. These are not merely isolated moments frozen in time, but abstracted expressions of the intangible, inviting us to explore the depths of our own imagination and curiosity.
As an abstract artist, I immerse myself in a world where colors collide to create patterns and emotions. Through my dual practice of painting and sculpture, I explore the interplay between form and texture, inviting viewers into a realm where the ordinary transforms into the extraordinary.
In my paintings, slick, transparent polyester film and acrylic paint are my materials of choice. Working on an uneven surface, I allow the paint to slide and converge, yielding bold, swirling hues that traverse the spectrum of emotion. Through color, I create narratives that transcend conventional storytelling.
Similarly, my ceramic sculptures emerge from a dialogue with the clay itself, each piece evolving organically. Drawing upon my background as a painter, I layer vibrant pigments onto the clay, transforming each sculpture into a three-dimensional canvas brimming with energy and playful abandon.
My artistic process mirrors the spontaneity of human experience, capturing the essence of fleeting moments and ephemeral emotions. Through my work, I seek to challenge perceptions and redefine reality, inviting viewers to embrace the absurdity and exuberance of existence. These are not merely isolated moments frozen in time, but abstracted expressions of the intangible, inviting us to explore the depths of our own imagination and curiosity.
photo credit: Lauren Tucci
BIO
Mary Zeran (b. 1964, Iowa City, IA) is a third generation woman artist who creates abstract paintings full of intense color and patterns inspired by the Japanese technique of Shibori.
The artist holds a B.F.A. and M.F.A in art from University of Iowa. She was a founding member of SOIL Gallery in Seattle, WA. Zeran’s collage are shown internationally, with exhibitions at the Cedar Rapids Museum of Art, Cedar Rapids, IA, SOIL Gallery, Seattle, WA, and Chiang Mai University in Chiang Mai, Thailand.
Her work is in the permanent collections of the Metropolitan Museum of Art, New York City, NY, Cedar Rapids Museum of Art, Cedar Rapids, IA, U.S. Cellular Center, Cedar Rapids, IA, Harvard Business College, Boston, MA, and United Fire Group, Los Angeles, CA. Artist Residencies, and public commissions include Oregon College of Arts and Crafts Residency, and a 2% for the Arts Purchase Prize from the Visual Arts Commission in Cedar Rapids, Iowa. Her work is included in the book "Chunghi Choo and Her Students", published by Arnoldsche, Stuttgart, Germany, The New Art Examiner, and Artweek, Seattle, WA.
Zeran currently lives and works in Cedar Rapids, Iowa.
The artist holds a B.F.A. and M.F.A in art from University of Iowa. She was a founding member of SOIL Gallery in Seattle, WA. Zeran’s collage are shown internationally, with exhibitions at the Cedar Rapids Museum of Art, Cedar Rapids, IA, SOIL Gallery, Seattle, WA, and Chiang Mai University in Chiang Mai, Thailand.
Her work is in the permanent collections of the Metropolitan Museum of Art, New York City, NY, Cedar Rapids Museum of Art, Cedar Rapids, IA, U.S. Cellular Center, Cedar Rapids, IA, Harvard Business College, Boston, MA, and United Fire Group, Los Angeles, CA. Artist Residencies, and public commissions include Oregon College of Arts and Crafts Residency, and a 2% for the Arts Purchase Prize from the Visual Arts Commission in Cedar Rapids, Iowa. Her work is included in the book "Chunghi Choo and Her Students", published by Arnoldsche, Stuttgart, Germany, The New Art Examiner, and Artweek, Seattle, WA.
Zeran currently lives and works in Cedar Rapids, Iowa.